I really enjoy your framing technique. The tension of emotion is felt in the sharper angles of the top frames. As the tension (Corrine’s possible death) lessens, the frames become more regular rectangles. This is a fine story-telling tool.
Everything else pales in comparison of the art in this comic, IMO. I love the flow of hair in first panel when Chelsea is rushing. A tiny detail, not sure if intended: Her illusionary clothing doesn’t get wet on the legs.
I really enjoy your framing technique. The tension of emotion is felt in the sharper angles of the top frames. As the tension (Corrine’s possible death) lessens, the frames become more regular rectangles. This is a fine story-telling tool.
Everything else pales in comparison of the art in this comic, IMO.
I love the flow of hair in first panel when Chelsea is rushing. A tiny detail, not sure if intended: Her illusionary clothing doesn’t get wet on the legs.
As it’s an illusion, I think it would only get wet if Chelsea concentrated on making it look wet. Jamie would be able to tell us more.
So was I but, on reflection, I think something or someone is causing the trees in the park to die.